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Letter Box On Line (LBOL) Files #21
Colorado Springs, CO
I want to remember
And then— I want to remember your name.
Patricia Ann Doneson
Should I change the linen
Are these two sons of mine
A setting set aside
No others would I expect
Illia Thompson
(8/11/05)
when age had settled
but now relish
IN THE POND
In the pond
the circle begins to spin In the pond...
Stephen Brown
There were four of us at work who went out to dinner once every six weeks forever and ever. One of us four contracted cancer 3 years ago and has been battling outbreaks throughout her system. She finally left work 6 weeks ago and is not seeing anyone. But myself and one of the other four is going to knock on her door next Monday with a bright-colored throw and this poem to express our feelings. My friend may or may not answer to our knock... We feel so sad and don't know what else to do.
If we could
If we could
If we could
If we could CALIFORNIA WINTER
The sun drifts low across a pale blue sky
Pam Quesnoy
My mother always set the table for breakfast the night before. "I'm better in the evening," she told questioning houseguests. The family came downstairs to a hot breakfast every day. There was a fresh cheery tablecloth weekly and cloth napkins. On the day of my wedding, I sat at that table with my father, eating oatmeal and reading the funnies. Years later, I finally understand the part about being better in the evening, as I lay out my clothes and "To Do" list for the next day—the night before. If I wait until morning, I'm sure to forget something. As my mother grew older her health deteriorated. There were two heart surgeries and three hip replacements. When she came home after the surgeries, a hospital bed was set up for her in the den. We brought her meals in on a tray, and often my father sat with her and ate at a TV table. When she recovered, she only climbed up and down the stairs to her bedroom once a day. She set herself up a breakfast tray in the evening, and every morning my father made her breakfast and carried it up the stairs. She ate at her desk. He had already eaten breakfast by himself earlier. Once when I was visiting, I happened to walk by their open bedroom door. I saw my father putting my mother's stockings on for her. She saw me, laughed, and said my father was "rough." That was the first time I realized my father was helping my mother to get dressed. In that instant, I knew my own husband would never be willing to do that for me. Now my father is the only one living in the house. He still eats breakfast every day in the cozy breakfast room, while he reads the paper. It is always the same: oatmeal, toast, an orange, a glass of milk. "Breakfast is the most important meal of the day," he says. At his place is a souvenir placemat from one of the many trips we have taken together. Currently, it is of Lake Superior. Other souvenir placemats from our trips are at the other places at the table. When I visit, I usually eat at Zion National Park. I, too, often eat breakfast alone. My only table serves for all meals as well as craft projects, bill paying, Christmas cards, income tax. When I eat breakfast there, I grab silverware from the drawer with one hand on the way to the table. My father will come to visit soon, and I will make his oatmeal.
Peggy Hansen
LBOL Index Creative Edge Home Page
Carmel Valley, CA
One truck
One man
This man gently collects
This one job
That one image
Illia Thompson
Can you live with the embarrassment
Face the untold stories from untold Can you face the darkness alone.
Can you trust the silence of your own Blinded in sight and in mind.
Nothing Can you?
Patricia Ann Doneson
(La Serrania, Mallorca)
Gently, move to the right.
Ah sing to me of plates, forks, knives and spoons,
Larry Ruth
I am in the beginning of knowing
I tolerate its presence on my hand,
I am considering
Up until now
Subliminal bulletins surface.
A humble diligence disturbs
Perhaps I will have an epiphany,
There is a pattern to recovery, the way back both a healing and a blooming. The tip of the bud shows its colors, and the calyx begins to bend away from the blossom, allowing the petals to consider light. It is no longer a choice to remain safely encased, to not know our beauty. Even the shy gray dove opens her painted fantail when she flies. A flower's life is short, one interlude of loveliness given to each before returning its organic remains to the landscape. We have many opportunities to rekindle growth, to perform on life's stage, to show our colors. Often it is storms and cataclysms that test our courage, toughen our fiber, dare us to weather disaster and come forth altered to greater glory. I am lucky enough to recognize the phases now, to remain calm while the damage repairs. In the journal I document the wretchedness and the reconstruction, the depth of the reservoir, the way through the dim caverns. At times there are no words for what is germinating and mending at the same time. I commit to patience. When we are young there is no knowledge of redemption to soften the blows. This gift of age and experience is priceless, and droll, a favor and a warning. You are precious. Your hours are incalculable. I am writing again with greater depth, clarity and style. This is my signpost, my landmark, my ticket to the concert. There is music to be played. I am polishing my instrument, calling forth the muses and the magic, all the creatures of spirit and the powers of the universe. Revival is near, abiding in persistent dreams and seeds of anticipation.
Laura Bayless
She studies and determines material to present
She creates clever lessons to stimulate attention
She explains and illustrates so students can understand
She encourages those who struggle to learn
She gives full attention and hears the questions and doubts
She provides food for their minds and nurtures their ideals
Pam Quesnoy
Whirlwind:
Shirley:
Whirlwind:
Shirley:
Whirlwind:
Shirley:
Whirlwind:
Shirley:
Whirlwind: Shirley Tofte
LBOL Index Creative Edge Home Page
Carmel Valley, CA
After your death
September's portent of autumn
Today plump purple fruit
Biblical times
Shofar's call created
Splendid sound
Essence of gratitude
Illia Thompson
Eager to depart,
Finally set free
At Paso Robles we head west, break out into poems. DUNES DISCOVERY
On the cliff trail at Montana de Oro
At the waterline
Lavender-beach geranium
Mists caress my face,
Patches of blue emerge
I am between alliances,
Laura Bayless
LBOL Index Creative Edge Home Page
Fair Oaks, CA
Laughing,
Standing,
Groceries forgotten,
Carol Lynn Mathew-Rogers
Winter Soldier is a documentary (movie) made back in 1972. It was shocking then and from what I have heard, is just as shocking still today. Chances are that you didn't see it when it was new, since public sensibilities were pretty delicate back then and it was such a cold hard look at the brutality of war... Winter Soldier has been airing (now) in a few cities around the country. (This is) a glimpse of my perspective on all of this, my story I wrote a while back. It pretty much explains why I need to see this movie.
He came, a child, The year he was 18, his draft lottery number was 7. If he had been 19 that year he would have been drafted into the Viet Nam War in January. It was a wakeup call. He was a gentle soul from a family of gentle souls. No one ever argued in his family. It was not spiritual or mature to fight, and his parents did not tolerate it. He had assimilated the calm and gentleness of his family into his being from an early age, and the very possibility of combat duty in the most horrific and publicly examined war of his time was more terrifying than any possibility he could fathom. The next year, his lottery number was 137. Estimates were that the draft would roll around to his number sometime in the early Fall. But a miracle happened. The Nixon administration began to pull troops out of Viet Nam, and within the year, extricated the United States from the conflict entirely. Regardless of whatever stains may have darkened the record of Richard Nixon's presidency, he always would love the man for this act of sanity that had been so illusive to his predecessors in both parties. The draft never reached his number that year. But having escaped the draft, he still could not escape the spectre of Viet Nam. Many of his friends had gone. The luckiest ones seemed to be the ones who came back in coffins. America spent the rest of his generation wrestling with the horror that little war unleashed on her children. He often wondered why he had been spared. He was truly certain that to go would have utterly destroyed him, and suspected providence. But why had providence smiled on him but not on so many others he knew? He could not feel guilt for being spared, but was uneasy with it anyway. It lurked in his heart unchallenged and unhealed for almost 30 years. After a few years, movies about Viet Nam began to surface. He never went to see any of them. The chaotic senselessness of the war still disturbed him too much. There was something in it that he could not identify—something that tore him apart inside even though he had not personally experienced the war first hand. As the years passed, he never examined this overpowering aversion and terror. It seemed to crop up whenever he heard explicit accounts of violent, horrible abuse of groups or individuals at the hands of others. Holocaust stories and genocide and serial killings all seemed to stir the same dark brooding aversion. He avoided movies that depicted such events, and consciously practiced diversion from thinking about such things. He had always taken a measure of comfort in how repulsive such things were to him. It seemed to anchor his goodness and moral strength. One day he made an emphatic comment to a friend about never watching Viet Nam movies. Her eyes lit up. His aversion was too strong. There must be some dark thing beneath it. She prodded him to explain it and for weeks they discussed it. Then one day, it came clear to them both. The problem of Viet Nam was not that violence had been done. There were accounts of violence every day in the news. There were instances of violence everywhere in the entertainment media. These were deplorable to him, but most of them didn't evoke anything of the revulsion that they were examining now. The problem of Viet Nam was that it forced America's sons to confront their darkest, most horrifying potential for inhumanity, and then it abandoned them to the hell that boiled up from their hearts. Viet Nam moved and tore him so deeply because he knew that the monsters forced to the surface so violently and out of time for the veterans who had gone there were no less present in his own heart and in the hearts of human beings everywhere. Viet Nam had been a window into the dark shadows that lurk deep and unmolested in all of us. He had read essays to this effect over the years, and had intellectually assented to their theses. But this was different. Those essays had not touched the shadow in his own heart. They had been ideas to him. This was his own shadow. Now he saw that his aversion to deeds of inhumane evil was not so much an indication of his own moral strength but rather a deep dread of his own capacity to move in such dark places himself. What would it take to push a gentle, peaceful man like him into an unthinkable act? He knew that the world he lived in was capable of such a push. The things that were so repulsive to him were examples of just such a push—examples of people much like him who found themselves in circumstances that left no moral high ground; no clean way out. Or people who had been pushed over the edge into pain that deadened their hearts to their own humanity. The fact that his life had not pushed him so far was little comfort. He was clearly aware for the first time in his life that the darkest, most diabolical evil he could imagine was within his capacity. He had after all, been the one who imagined it. And he began to see how his upbringing had loaded the shadow with moral urgency. It had not just been good to be calm and peaceful and full of gentleness in his family—it had been mandatory. The struggle to overcome evil had depended on it. He had carried the banner. He had fought the good fight. And yet he had always been beset with this nagging undefined horror within. He was a Trojan Horse, and so, could never risk a moment to rest. He began to grow a deepening sense that he must come face to face with this black potential and learn from it. This would be the only hope to overcome its terror. Only by knowing it well, measuring its reach, testing its energy, could he trust his ability to live with it in balance and peace. This was perhaps, the greatest challenge he had encountered thus far in his life. It entailed walking into utter darkness to encounter monsters made of shadow. He must feel his way along, and trust his heart in darkness as well as he had learned to trust it in light.
©2005
Michael Reddell
I send you my offering for Sept... I was so fascinated with Aug. LBOL. Three poets with three points of view, but each of us writing about the same thing. At least that is the way I saw it. We each seemed to be in the same place and searching to describe how this space felt to each of us. I think that is what I love most about poetry—it gives everything a voice, even the profane.
The mystery of twins What is it like to be a twin?
No mirror is needed they have
Do twins I am caught in the wonder of it all.
Two faces,
Patricia Ann Doneson
10-15-04
long wave
Stephen Brown
I want to reclaim the words
Murmurs and sighs
Descriptions drip
Fat bumblebees drone
I toss-phrases out
What doesn't get written
Laura Bayless
LBOL Index Creative Edge Home Page
Colorado Springs, CO I debated about sending this one. Sometimes the conversations I am having with myself hold too much of the truth. I wonder how much is me and how much of me has been defined by those who taught me. I seem to be a combination of it all and somewhere buried in all of this acquired junk is my authentic self screaming to be set free.
Believing myself to be honest I
Words that easily shot down
Even though compassion was gifted
Laying down these earlier teachings
Wrapped in their own pain and
Patricia Ann Doneson
Poetry why do you embarrass me
Why do you cross the street to greet me
Unwanted by polite society
Why do you run towards me
You and your sister culture It is time to pay the piper Poetry why do you embarrass me?
Stephen Brown
How does it come to this...
One gull stands guard
Limpid sunlight sifts
Somewhere between contentment and tomorrow deciding whether to go or stay.
Laura Bayless
LBOL Index Creative Edge Home Page
Colorado Springs, CO I was deeply touched by Shirley Tofte's poem, "Dark Angel". This magnificent piece of writing deeply touched my soul. Such grace deserves praise. Thank you, Shirley.
Today—
Not the years, Always looking upward.
The smile on
Determined—To stand
You—
You have lived life,
Patricia Ann Doneson
Just off Elkhorn Road the trail turns
Meadow barley, salt grass, and wild radish
Tiny suncups edge an overgrown path
A painted lady, wings motionless,
At the promontory of Parson's Slough
Itinerant flocks of shorebirds
In the distance the breeze carries
Sunbeams glint through streamers
Your mind drops a stitch,
Laura Bayless
I invite readers to share their own creative works (poems, stories, images, comment, etc.) in Letter Box On Line (LBOL). I look for work and comments I feel support understanding and encouragement of the creative process, and hence, the process of life. The Editor
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