|
Home |
News |
Programs |
Facilitators |
LBOL |
NL |
Membership

Letter Box On Line (LBOL) Files #14
Section F: .................................................................. June 15, 2002
Colorado Springs, CO
On my birthday in the year 1998, I found myself rising that morning with a great desire to write my obituary. After all, who better to write my obituary than me? Thinking, that if it was filled with what she hoped to accomplish, instead of what she did accomplish, there was still time to correct it. I had no idea what I was going to say, and what flowed freely from pen to paper astonished me. I had always wondered about the book, "Conversations with God." How does one really know when they are talking to a higher source? That morning I had my answer. As my birthday approaches again, I would like to share the conversation I had that morning. I do believe that this message was not just for me. And to all those who can relate...I say to you, look to the rainbow.
AN OBITUARY OF LIFE
Patricia Ann Doneson entered this world on June 23rd, at 6:55 a.m., and she knew that the sun peaking over the horizon was smiling upon her, and saying:
"You are blessed my little one, for I will shine my light upon you everyday of your life. Like myself, you will rise every morning and greet the day with a smile. And I will help you rise above the many challenges that life will place upon you, starting at a very young age.
You will work with those who carry the broken heart. And the things you see and feel will break your own heart. This wounding that you take on early in your life will break my own heart. And the rains that fall from the heavens will be my own tears wept for the burdens you will carry.
I speak not to the small babe that you are now, but to the soul that you carry. All of this is necessary. For one cannot repair anything, especially the heart, until they learn for themselves the things that can break the heart.
I wish you well on this enormous journey, my little one. Your spirit will slip further and further away as I let go of your tiny hand this day. And many times you will curse me for this journey. That is why I speak into your tiny ear this day. And my most fervent prayer is...that one day; you will remember this conversation and know that with this burden I also gave to you the courage to survive it.
You have entered this world with my own need to understand the broken heart. Since I myself cannot walk this beautiful planet, and must be content to only smile upon it. I give to you the gift I so desire myself...the gift to walk upon this beautiful Earth.
I give to you the gifts of nature and the ability to understand not only its beauty, but its wisdom and knowledge as well. Many times you will smile at a flock of birds. Many times you will place your strong back against a tree, as you look upward through a blur of tears, while your spirit yearns to lay down this burden and soar as the bird soars. And your heart and your spirit will climb upon their wings as you try to remember how to fly.
One day, all of your yearnings will be understood, and you will come to love this planet as I love it. And I will shade my own eyes from the bright sun that shines back to me from Earth. And we will be one and the same again. I have missed you much more than you have missed me. Every time a soul finds their way back...I weep tears of joy. And the rainbow you see in the heavens—is my 'Thank You.'"
Much Love, Your Constant Companion, The Sun
June 23, 1998
OBITUARY 2002
You might well ask, did Patricia Ann accomplish all that she set out to do? Probably not...few do. However, I can tell you that no matter what life handed to her, she never quit dreaming. And if she were given to tombstones, and such a burial, you would find engraved upon this stone, a simple statement dedicated to all of my fellow dreamers:
"HERE LIES A DREAMER...SIT AWHILE."
Patricia Ann Doneson
sunbird@earthlink.net

Big Sur, CA
O RIVER OF MY HEART'S LONGING
O river of my heart's longing,
how you reveal
my deepest secrets
with such grace, yet abandon
I linger by your wild shore,
my soul bowing to you,
becoming transparent
through your clear mirror
O river of my heart's longing,
the dead tree trunk fallen
upon the bleached sand
is an isle quiescent
amidst your gushing flow
The emerald tree sisters, tall,
reflect their naked budding arms,
shimmering in your primal waters
O river of my heart's longing,
your music walks my unseen self;
only my soul remains
MAGENTA PLUME OF YELLOW PROMISE
Are you a dream, a life-long dream
that now appears in the flesh of you—
the amber glowing hide of you
glistening towards me like
a lantern of unspoken tomorrows?
And what about our dyings,
our dissolvings, our nothingness,
repeated through the ebony starless nights—
will they keep impregnating us
with the great void of existence?
While just now
the spring seed of us again has bloomed,
and I know to let it burgeon
its magenta plume of yellow promise,
not breathe away one breath with expectation—
the annihilator of purple freedom,
its vistas of vibrant horizon
© 2002
Carolyn Mary Kleefeld
info@carolynmarykleefeld.com

Big Sur, CA
THIS LIFE
tell them that we celebrated experience
until it made us sick.
tell them that we sang songs until the dawn,
and not always joyfully.
tell them even our sorrows
were magical and every pain
somehow a blessing.
tell them that we love
even while we lost, and,
losing—
we gained the whole world.
FOR THE SUMMER DEER
grass grows
and then arrives
the holy seeds.
everything changes.
soon, what worlds will
be born where the wind
falls on the wild mountain?
nothing but the future
will be imagined:
the promise of purple lupin
and the endless, nameless,
little yellow ones—
a spring dress
for no flower's desire,
but colorful little delicacies
for the summer deer.
© 2002
David Dunn
ddunn3@earthlink.net

Top of page
LBOL Index
Creative Edge Home Page
Section E: .................................................................. May 15, 2002
Vancouver, British Columbia
This is something I wrote after reading some of the contributions on your site. I write a lot but never anything vaguely resembling poetry—have never tried and didn't really here either, this just sort of 'happened' and I didn't feel I should mess with it, didn't know what to change it into.
UNTITLED
Some small thing you wrote
was to me
a lifting and a clearing,
much more than an inkling
of striking translucence, perhaps.
I was me but now I am
me plus what you wrote,
a me with an altered or modified view
because
when I read your words I
shared your eyes.
That small thing with
its silent sudden all-knowing
command
did not know of my boundaries and limitations and
flattened them in turn.
And so I grew.
For that small thing you wrote,
maybe long ago and not here,
there was no wall and so I
stepped through
or stumbled
or fell,
looked up,
and went further.
Carolyn Verduzco
savanna1000@excite.com

Big Sur, CA
UNTITLED
do you still bow
like the young ones?
do you still lay white roses
on the bare arms of life?
do you still undress yourself with song,
just before dawn, like a little—
quivering flower?
or are you still as bitter as black frost,
a dark rose who sleeps with her thorns?
are you still too immense to grasp?
are you really whole or are you broken
in a million fragments like a giant mirror
broken and thrown into the abyss?
are you growing and blossoming even while
slowly dying?
are you comforting me or have i been deceived?
are your roots cramped and withering
in a pot that's too small,
or do you fly free in the squall of the sky
above the sea...
David Dunn

Del Rey Oaks, CA
I plucked this one off of the dreamscape of awakening the other morning.
(Editor's comment: I feel this dream contains collective references we can all relate to! I invite you to send in to LBOL your interpretation and/or personal meaning.)
The rose of death lingers close in the Monastery its petals caressing the air with a rich perfume. Above all else this has more to do with its location than anything. High up on the South Mountain called "the height of the Buddha." It is a most dangerous and peculiar place. Its location on the cliff gives it a view of a small lake below which changes color according to the time of year. It is white with ice and snow in the winter, and transparent blue and purple in the spring turning to a green and then a pink as the algae take over in the summer. In the fall it becomes at once grey and silver with the coming storms.
This particular location means that the Monastery has never had to have an abbot. The location its self provides all of the discipline that the monks need. There are thirteen cells located on a granite ledge, which faces into the morning light. They are connected by a collection of rope and wooden bridges that need constant attention. Constant attention to make sure that they are strong enough, but also constant attention to a miss step when you are walking on them to assure that you won't fall.
The Thirteen cells that make up the Monastery are made of the granite of the cliff. The sharp stones make the simplest huts, which have next to them rooms, sometimes with out roofs, for the storage of firewood, and water jars. The water jars are held in holes, which are lined with grass from the meadow by the lake below. This grass keeps them from freezing clear through in all but the most cold of winter days when the winds are making movement on the mountain impossible.
Each of the thirteen cells is occupied all winter long by a monk from each of the Monasteries in the country. They are elected by their brothers to spend the winter on the South Mountain. They are selected for this the most rigorous of meditation because of their ability, although it has been known in the past that abbots have used the Monastery as punishment. The early death of those who were punished makes this sentence very rare in the community.
The monks approach the mountain in the spring. They gather at the top of the pass that leads to the mountain and wait for the occupants to descend usually on the week of the Buddha's Birthday. I say usually because the new monks cannot ascend the mountain until last years monks descend it and there have been years when no one came from the mountain. Fifty years ago when the spring came and the new monks were gathered on the pass, no one came down from the mountain. They waited for a month and then after much consulting of the records to see what should be done in this case, the abbot of the closest Monastery ascended the mountain with two monks only to discover that an avalanche of ice and stone had swept parts of the Monastery down the gorge. The bodies of the monks were never found and it was assumed that all had perished while helping their brothers.
When the retiring monks come down to the pass, they are heralded by a great feast prepared by the villagers and are given the chance to tell the new monks as much as they can about what life is going to be like on the Mountain. They then disperse to various enclaves in the cities of the world to teach the word of the Buddha. Their experience will help other on the path to enlighten.
The new class of monks then has from the end of the banquet to the coming of the winter storms to gather all of the fuel and food that they will need for their months of isolation. The village and schools that are nearest to the Monastery provide as much rice and food as they can, but as with all places of learning there is often a poverty of what could be used. Then it is up to the monk to gather on his own, that which he will need for the winter.
When the snows have come and the winds scour the face of the mountain the monks begin their meditation.
Steve Brown
SteveArtis@aol.com

Top of page
LBOL Index
Creative Edge Home Page
Section D: .................................................................. April 20, 2002
Big Sur, CA
UNTITLED
river flowing slowly,
how i almost envy you.
wordless water flowing over
stones without ever bruising
yourself.
—flowing always toward the sea,
toward the never regretful sea.
while at dawn pale blue clouds
sail over you and turn the day
into a dream. dream river.
dreamless flowing water.
water never lonely.
water never thinking.
never even feeling.
river dreams, so like my own—
just flowing, flowing onward
to the never regretful sea.
David Dunn
ddunn3@earthlink.net

Big Sur, CA
CRISPY POEMS
The heavy, moist breath of God
infuses the holy darkness
As I walk through the black prayer
of this biting cold night,
my regenerated soul
feels at rest, returned to origin
Green and rust-red leaves,
others with a yellow tint
are crispy poems,
stars fallen of the seasons
Their rhymes carpet our poets' stroll,
our path spun from gold
And in the silver silence,
the stars lend vacant eye,
glittering of their distant presence,
revealing lights of their unknown souls
Later, this prayer into blackness
anoints me with its gossamer balm
LOVE IS SO FLEETING
Tonight you return to me,
like the solstice of the winter sun
turning toward more light
We had become each other's ashes,
carcasses of past orgies,
now left in abandonment
to the ruthless beasts of Nature's change
The unmerciful face of a dark god
had watched us blaze,
turn to cinders in each other's arms
But now, for this abundant moment,
we glow as One—with each other,
with the candle's flame,
with the ebony master of night
I lie here on the pink sheets of our meadow,
warm, filled with our pomegranate wine
The seas churn below,
rich in their storm's foam,
as we for the moment can be
Carolyn Mary Kleefeld
info@carolynmarykleefeld.com

Tucson, AZ
BALLAD OF THE HOOCH
He claimed to have made major rank
With battlefield promotions in Vietnam
Including 18 months in a Laotian POW camp
Just the place, no doubt, for R&R
So he goes by Gizmo
That's what we all call him
And Ray-Ray who claimed to be an ex-marine
And an ex-con
Lived in the hooch
That is when I first met them,
The day before it snowed in Tucson
Ray was big.
6'4" lean and strong
Gizmo called him Monster
But he actually does that to a lot of people
I stole four oak pallets
From behind the supermarket
And drove out to the open desert near the hooch
Ray and Gizmo helped haul
The pallets back to the hooch
And it was a good thing
Cause that night it was cold
I had been fired from my job that day
The next day it was cold
The sky was overcast
The open desert not oppressed by heat
I remembered the words Ray had spoken
By the fire: "Join the Circle of Life."
So I walked back through the desert
To the hooch by the Palo Verde tree
Where BenJammin and John
Had come to sit by the fire
It got nasty
So we all crowded into the hooch
Ray and I had a game of chess
The best of my life
And then it began to snow
As we could see through the open blanket cover
That is the door of the hooch
It didn't stay on the ground
But the ground wasn't warm, either
Ray got a fire going
By breaking up the pallets with an iron bar
We all got outside in the rain
It finally began to hail
After I had brought some hot coffee from home
I said goodbye for the day
Ray moved on, but Gizmo is still there
And I remember
The Circle of Life
Contains us all
(Snowstorm of January 30, 2002, Tucson, Arizona)
Chris Lovette
Chlovette@aol.com

Salt Lake City, UT
APRIL 5, 2002
We are still up and
go out at 3am
to get diet coke
The Machine rejects the dollar
three times
and the other
regurgitates root beer in a red
cold can
My stomach is empty
but I feel full
there are plans to travel
and to keep what is left
transforming the images
through the rearview
on Monday.
Coming back
will be clear
500 hungry souls
heard me talk today
of Jung
and dreams
and potatoes going by
like life
on a conveyer belt
there are too many avenues
to express oneself
contained in a body branching
off to the Universe
each limb asking for
more
knowledge
wisdom
people
and places
When I am ready
I will begin my own practice
after forays into
the world
that beckons
no attachments
Much to be said
with Kate, my baby, cheerfully vomiting
her banana milk
wearing a litle slugger tank
she knows German words and
everyone thinks she is a boy
My intelligence is not healing me
and I can't talk the way
out of survival
so I become a depth psychologist
a healer without money
to start a business perhaps this year
after travels and chaos
A smirk
at the sun
who today warms
my body
and
remembers my name.
Ingrid Middleton
IMiddleton@aol.com

Top of page
LBOL Index
Creative Edge Home Page
Section C: .................................................................. March 15, 2002
Carmel, CA
UNTITLED
In the giving
reaching between
violet veils
a figure has been lost
beneath the waves
of this Dawn
soul has dropped
as required
brightly shining
into chrysalis
still to dream
of transparent
wing
John Dodson
flute@acharantos.com

Colorado Springs, CO
I just wanted to share with you what I consider a major healing in me. I received this piece on Valentines Day and it felt like a true gift to me.
UNTIL NOW Ê
Late in the blooming
of my life am I—
not realizing, until now,
that the imperfections that
proceeded this moment
was the preparation of the
soil and the seeding of my
very soul. A place where
weeds and flowers and even
rancid wheat might grow. None
needing to be pulled up or plucked out. Ê
Not realizing, until now, that the
tears I shed was my own soul
watering the very things I rejected
in myself. The union and communion
of all things without judgement. Ê
Not seeing, until now, the
endless possibilities of such
a garden where all things
and all parts of self may co-exist. Ê
Not capable, until now,
to appreciate the sweet stench
of compost that nurtured my blooming. Ê
Not trusting, until now, that
what came before—makes
this moment possible NOW. Ê
Patricia Ann Doneson
sunbird@earthlink.net

Tucson, AZ
The following is today's poem, which is full of some rather personal content. As it is simply an experience snapshot in poetry, there is no question of realism or not.
POEM TO LADY IN
WAITING (ROOM)
White short-sleeved blouse
Pulled tightly accross your torso
Black shoes with ankle straps
Rose colored lips
Cheeks like pomegranates
Knee and foot
Tapping a body rythm
Deeper than background conversation
Then she is gone
Painted pink cheeks
Knee-length blue skirt and all
Behind the security door
That only staff can open
Here at the mental health clinic
Waiting for a referral to nowhere
Nevertheless the pearls,
Whether real cultured or fake
Shine against her skin
Chris Lovette
Chlovette@aol.com

San Antonio, TX
I am sending you 2 poems I wrote recently.
FELLOWSHIP & FRIENDS
It seems my whole life has been spent searching
For a place to belong, for fellowship, for churching.
As far back as I can remember at my Grandmother's knee,
I was brought up to believe in God & that He'd be there for me.
Many church homes have come my way and gone away
I was looking for a missing something to brighten each day.
Fellowship, friends, a place where I could hear God's song,
A place where truly I could let my hair down and know I belong.
The truth is simple, and that is each person needs friends
Man was not meant to be alone—in fellowship time mends.
So I say, join in a group and invest in throngs of people
Many are as needy as you—just look beneath the steeple.
Each person will find physical, spiritual and emotional strength there
With love overflowing we will find we have plenty of love to share.
Invest in Christ and your Church home with time and you'll find
That He will give you the power to have Fellowship & Friends combined.
The message is there plain and sincere for all to see and hear
Come to Church, get together in God's Loving atmosphere.
Yes, my fellowman, I just figured out that I cannot make it on my own
But by using friendship circles & fellowship groups I'll not be alone.
FORGIVENESS
My sins were many throughout my troubled life.
Trials and tribulations caused stress and strife.
Forgiveness is not the only key to unlock my heart,
But it does let a new day begin and a new life start.
Let me learn to walk in the path of the way of my Lord
Then put away hatred and pack up my sharp sword.
For as I have searched deep into my heart and mind
And a culmination of resentment is all I could find.
Perhaps little children are not meant to always behave,
Perhaps they have to put on a smile and show they are brave,
I know my parents did the best for me that they could
Not knowing in memory each punishment might be misunderstood.
I am now grown and have children & grandchildren of my own,
And realize that each person must fit into destiny unknown.
Should I cry out for my brother or sister and the hurts they caused?
Or can I simply forgive them and go on after the incident paused?
This Sunday in church I heard about the forgiveness of God
I have heard this many times and never thought it be odd,
That in order to put imagined hurts or wrongs on the top shelf,
I must first learn to listen to God and forgive myself.
Shirley Smalley Price
Bob_Price1@msn.com

Top of page
LBOL Index
Creative Edge Home Page
Section B: .................................................................. February 15, 2002
Carmel, CA
GRANITE POINT
(sunset / full moonrise)
I know who I am
in this cave
I know
my truest poems
must remain
unwritten
I know the thunder
of these waves
heart to heart
this day and
forever must
be kept secret
John Dodson
flute@acharantos.com

Big Sur, CA
SOUL DIALOGUE
O Soul who wanders
so far beyond me,
I call out to you,
to your echoing silence
and hear not the answers
O Soul, I wait in longing—
human, pathetic and confused
You continue out of reach,
yet deep and urging,
without name
I, who must deal
with earthly torpor,
know you are hidden
in your Secrets
While I walk about
disguised in earthly garb,
you are primal and naked,
bathing in your splendor,
in raw feeling's silk
While the sorrows and havoc
of everyday consume me,
I eat of infinity's fruits of death,
blessings from loved ones departed
You are complacent,
already full of these elements
You are the Source
I am a conduit, your servant,
always in answer to you—blindly
continued
I lie in the dark ocean of night
and wonder at all the images,
feelings and thoughts
swimming through me,
while you are the Dark itself,
the Invisible Source
You are the unseen me
I wait as the fool
for answers unknowable,
while you are the Unknown
When my heart is mute
and I am lost,
you wander all places at once
and are not lost
because you are always at home
When my way to
fulfillment has gone astray,
you remain calm and lucid
in your wisdom of Ambiguity
While I falter
in the world of things,
answering to the banks,
you can be outside of the temporal
and be what others seek
Tolerance looks on through you
while I, feeling like an imposter,
am trapped sometimes
in the density
And when my work
is done and the sunset
carries me back to the Night,
you await, and we become One
BLACK STALLION NIGHT
Primal, savage, raw,
the raging ebony skies
of a black stallion night
glitter with the endless eyes
of ancient herds gone by
The towering trees of far-reaching limb
are lavishly studded with radiant gem
I ride the eternal horse,
the night-creature noble,
through the fathomless dome,
into the emerald gardens of a midnight blue
Far and distant I am drawn,
beyond the human eye,
into the ancient lights
of lost cities and vanishing mists,
into the palace of light,
the spiraling constellation within
Carolyn Mary Kleefeld
info@carolynmarykleefeld.com

Albuquerque, NM
I spent the holidays with a sick father who spent 23 days in the hospital. He is 91—never smoked or drank, but his heart is showing its age and he has various other "physical aspects" ... As a recovering alcoholic and drug addict ... I suppose that maturity escapes me much of the time. It was only just yesterday (literally) that I understood that there is nothing unusual about my father being close to passing away. I am finally beginning to understand that we all pass away. DUH! I don't know why that one took me 50 years to figure out. I guess in spite of getting a 160 score on one of those Stanford-Binet tests I often miss the extremely obvious.
I do have this one poem.
LOVE SONG #1
Got the tired man blues
So long, going down so long
By the river where the willows grow
Need you now to get these blues away
Lacy eyes and you can smile me up
Down goes up when I look in your eyes
Chris Lovette
Chlovette@aol.com

Carmel Valley, CA
NO EMBARGO ON TEARS*
We maneuver an emotional tango,
you the dispassionate partner guiding
with firm hands,
my feet skimming hardwood
like a Dutch-foot chorus line.
I make appointments for torture,
a reluctant martyr to my own rehabilitation
from self-destructive thoughts.
You probe, questions like scalpels
opening crusty scabs, reattaching
severed alliances
I hoped were consigned
to rootbound crypts.
I stall for time,
switch topics mid-sentence,
deflect the hand mirror you clench
and wave before my eyes.
You keep full cases
of soft tissue in your storeroom,
place a discreet box on the end table
in your cozy inquisition chamber,
empty the waste basket when I leave.
*(Diane Ackerman -"Timed Talk")
Laura Bayless
ctblaura@redshift.com

La Canada, CA
I just did a major update on my web site...and added LOTS of new photos. Here are some examples.
![[photo #2]](../gallery/marthab2.jpg)
Martha Ann Bryan
martha@marthabryan.com
Martha's web site

Top of page
LBOL Index
Creative Edge Home Page
Section A: .................................................................. Jan 15, 2002
Big Sur, CA
THE MARRIAGE LIT BY ETERNITY
The vulnerable sliver of moon
lingers behind the black mountains,
tenuously allowing herself to be visible,
breathing her goddess light
into our weary souls
We bathe in the dark waters of night
while the lunar goddess soothes us,
fills us with mercurial light,
her delicate white wine
This ancient entity suspended,
sings her prayer across the seas
She murmurs to us
of the marriage lit by eternity
(for Oscar Janiger,
written the night of his earthly departure)
A DIFFERENT SCRIPTURE
TO DECODE
Are you the lone puma
of the black night
who lays his heart
upon the white granite
of re-creation?
With the paling emerald
of the tall, gray grasses,
what do you stalk,
but the peace hidden beneath
your stealthy paws?
Do you still kill the deer
when your body cries for sustenance
because you can't be
else than you are?
In the man of you,
dear beloved puma,
in your nomad wanderings—
do you now find
a jade garden
by a different path?
And under your softly
touching feet
on the white stones,
a different scripture
to decode?
Carolyn Mary Kleefeld
info@carolynmarykleefeld.com

Thank you for your creative offerings!
I invite readers to share their own creative works (poems, stories, images, comment, etc.) in Letter Box On Line (LBOL). I look for work and comments I feel support understanding and encouragement of the creative process, and hence, the process of life.
The Editor
Top of page
Home |
News |
Programs |
Facilitators |
LBOL |
NL |
Membership
|